Cat O’Nine Tails (1971)

A nudge is as good as a wink to a blind bat.

When Argento started his journey into features he obviously had a strategic plan of action in mind. This, his second film, keeps to a similar 'who dunnit' structure as in 'The bird with the crystal plumage'. It obviously differs in plot but with music again from Ennio Morricone and Argento's distinctive photographic style, the feel is similar.  Giallo at its best.  Now if you are not familiar with Giallo, I advise you to delve deeply into this genre and inparticular the works of Mario Bava, Lucio Fulci and Dario Argento (their earlier works as you will undoubtedly find they morphed into horror directors later on). 

I have always been a huge fan of Argento. I first saw his work at 'The Scala' cinema (no longer in existence) in Kings Cross, London. They showed a selection of works by him and he was there at the end to answer questions. Not having ever heard of him prior to this I was amazed at the worldwide reach he has. His work is visionary and has influenced so many film makers.

I digress. The film follows Karl Malden's curiosity into a murder case close to his home. Malden is blind and teams up with a journalist to investigate various connections with different cases. There is a certain art house feel about the film. If you have ever seen Antonioni's 'Blow-up' then the feel is similar but maybe less bitty.  More structured than arthouse.

A great night in (I would however watch 'The bird with the crystal plumage' first). Watch in the dark with a couple of lit candles, wearing a raincoat with nice Italian leather driving gloves, a hat and cutthroat razor.